Due bookrays internazionali (lingua inglese)

Vi interessa far girare un libro fra i bookcorsari coinvolgendo le Poste nella cosa? Questa e' l'area che fa per voi: ring, ray, box, chain, BookXerpting e tutte le stranezze che ci verranno in mente in futuro!

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Le regole di quest'area (versione breve):
  • I nuovi utenti non possono scrivere in quest'area fino a che non hanno postato almeno 42 messaggi in altre aree (esclusa la reception). Se dopo un mese dall'iscrizione (non prima) non li hanno raggiunti, possono scrivere all'amministratrice e se hanno registrato e liberato 5 libri saranno ammessi all'area.
  • Se lanciate un ring dovete includere nel post il link alla corrispondente journal entry su bookcrossing.com
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YowlYY
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Iscritto il: mer giu 04, 2003 5:10 pm
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Due bookrays internazionali (lingua inglese)

Messaggio da YowlYY »

Ciao e buon anno a tutti!

Una collega bookcorsara inglese, Ali (http://www.bookcrossing.com/mybookshelf/weebly), sta lanciando due bookrays per la Gran Bretagna e l'Europa e ho pensato di darle una mano mettendo qui l'annuncio... si tratta di MY LEGENDARY GIRLFRIEND http://www.bookcrossing.com/journal/1209321 di Mike Gayle e SPEAKER FOR THE DEAD http://www.bookcrossing.com/journal/1184057 di Orson Scott Card.

Visto che le journal entries qui non dicono molto sui libri, ecco alcune note tratte da amazon.co.uk:

MY LEGENDARY GIRLFRIEND: Ever been dumped? No? You're lying. Mike Gayle, previously a contributor to FHM and Just Seventeen magazines has dipped his pen in the inkpot of universal experience and written a comic novel underpinned by rejection and the ripples (or tidal waves) it continues to produce for years afterwards. For exactly three years afterwards in the case of Will Kelly, assigned to the "history" drawer on his 23rd birthday by Aggi, (she of the titular moniker) and who is now undergoing his 26th "celebration" alone in his bedsit in Archway, North London.
English teacher, serial smoker and serious list-maker--Will is a Numnul, to quote Gayle; a "New Nineties New Man New Lad", living an existence that screams "Single!". Can you fall in love over the telephone with someone you've never met? Should your best friend sleep with your girlfriend? And just how many presents should a platonic friend send you on your birthday? In real time the novel takes place over a weekend, but in effect it traces a journey that has led to this tumultuous birthday, when Will considers marriage, death, fatherhood and Pot Noodles (but not in that order).
Helen Fielding and Nick Hornby are two names that will understandably haunt Mike Gayle, whose prescriptive hero has been dubbed the "male Bridget Jones", but Gayle's book probably owes more to early Martin Amis, soaked as it is in a fever of male self-pity redolent of The Rachel Papers or Success, though without the literary flourishes or darkness. Ultimately My Legendary Girlfriend is pulp fiction for the Pulp generation, an old-fashioned morality tale dressed up as an enjoyable romp that should appeal to lovers of Men Behaving Badly and anyone who has suffered the ignominy of having a Sting song quoted at them to justify a break-up.


SPEAKER FOR THE DEAD: Three thousand planet-bound years have passed while Ender the star-traveller remains young. In that time his name has become anathema, for he is the one who killed an entire race of thinking, feeling beings. No other has been found - until Lusitania is discovered.
The young race there offers mankind a chance to redeem the previous destruction. The only humans allowed near are trained xenobiologists. But once again there are tragic misunderstandings. And when Ender, as Andrew Wiggin, is called to Lusitania to speak for the dead - to present to the community the terrible truth of why men have been killed by aliens - his actions can, and will, reverberate through an entire galactic empire.
SPEAKER FOR THE DEAD is the second book of Orson Scott Card's Ender saga - a series which has changed the face of science fiction.


Se siete interessati, mandatele un PM :yes!:

Grazie! :notworthy:
"I once had a rose named after me and I was very flattered. But I was not pleased to read the description in the catalogue . . . "No good in a bed, but fine against a wall." - Eleanor Roosevelt

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